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Jack Gilhooley

Ex-Isles-COVER.png

Ex-Isles

A dark comedy

2w, 2m, 1 adaptable

 

Patrick McDonough arrives in Ireland from NYC on the run from the law. He brings his reluctant but faithful paramour, Marion Fein, who simply can’t see a place for herself in this land, except for the fact that she’s a passionate Joycean. Patrick may have been an innocent pawn—with a facility for numbers—in a stockholder scam. But his ex-bosses claim that he’s responsible for the missing millions. Patrick intends to hide out temporarily with his twin cousins, Rory and Deirdre whom he last saw when they were all eight years old. That was three decades ago when Patrick spent a summer on his aunt and uncle’s impoverished pig farm. But the cousins have become master scammers in their own right. Through a variety of schemes—legal and otherwise—they’ve amassed a handsome nest egg and the formerly affluent Americans find themselves beholden to the street-wise pair. When a mysterious stranger starts to trail Patrick and pretty Marion, he contemplates giving himself up. But she’s developed a fierce identification with Joyce’s Molly Bloom and with it, a bizarre poetic language. Her loopy Joycean poeticisms hold the intruder at bay. Patrick returns to America to turn state’s evidence. But his troubles expand since mystical Marion is left behind with the dangerously attractive twins.

EX-ISLES premiered at Hilltop Players in Limerick, Ireland, directed by Annette Treacy, with Denis Ryan as stage manager. 

Marian ..... Maria Fanning

Patrick ..... Mick McLaughlin

Deirdre ..... Sinead O’Mahony

Rory. .... Mark Real

Flight Attendant ..... Meghan Treacy

Mrs. O’Reilly ..... Fiona O’Dwyer

Waiter ..... Jim Cleary

Polish Bystander ..... James Meaney

Mysterious Strangers

Dave Conway

Dave Flavin

Meghan Treacy

James Meaney

True Grit

| met the American dramatist, Jack Gilhooley, whilst studying theatre in NUI Maynooth [University] and when he offered Hilltop the opportunity to present Ex-lsles, | gladly said yes. | did, however, insist on one thing — that the play would premiere here first. He agreed and despite the fact that it has already won the Fullbright Play of the Year Award in America, he has kept his word. | think that’s something Hilltop and Fedamore should be proud of. 

     One of the reasons I liked this play so much was because it is contemporary, to the minute and topical. It's good sarcastic fun and it’s thought provoking. It explores a myriad of issues and perhaps holds a mirror up to ourselves so that we can see something of the cute hoor of a Celtic Tiger that could be the Ireland of today. As Mrs. O’Reilly points out “It’s not your mother’s Ireland, Boy” and she is so right. So what does it mean to be Irish or Polish or American? What perceptions do we have of each other and are they based on fact or just a notion? We are told that in these times, with communication being so sophisticated, that we live in a ‘Global Village’ but do we sometimes forget about our own village and the people in it who live next door?

—Annette Treacy, director, Hilltop Players

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